Lothar Berger and me trying out combinations of guitar, kalimba and 2 voices on the patterns of Spryh. Lothar is a teacher of the ta-ke-ti-na method and overtone singer. Unlike me, he often changes the fundamental note while singing overtones. The pattern he sings here reminds me of the xhosa women´s overtone singing.
A cozy evening version of Mascara - it´s full of mistakes, I am messing up chords, the intonation is sloppy but still it conveys a certain warmth. I guess I am more after such qualities than to achieve a perfect performance. In the end, Lothar tries a pattern that overlaps my overtone pattern. It still has to be worked out, but the idea is already there.